"My work reflects our society's obsession with beauty through advertising - and the endless images that bombard us daily. It is a purposeful intermix of images derived from advertising and thousands of incongruent pieces - images and text - from advertising that arrives through my mailbox. Assembled like a mosaic; the paper tiles create an entirely new image - an eclectic and tactile portrait reworked in my imagination, utilizing materials that would otherwise go to waste."
- Sandhi Schimmel Gold
Papier Collés
- (French: pasted paper) is a painting technique and type of collage recognized by Art Historians since 1912. The term defines the difference between a collage made of several kinds of materials, and a collage made of only paper glued onto a painting.
- Sandhi’s Papier collé mosaics feature hand-cut and hand-applied pieces of assorted paper: greeting cards, advertising ephemera, calendars, packaging and other decorative papers onto an original painting in much the same way as a collage, except the shape of the pasted pieces are objects themselves - individual mosaic tiles. Each “tile” featuring unique typography, texture or imagery of their own. Sandhi may embellish work with paint, ink or other materials.
- In this way, Sandhi builds on a foundation created by Pablo Picasso, Georges Braque, Juan Gris and Henri Matisse. This is a technique as old as time and has become a genuine and undeniable art form in the last century.
They say a picture is worth a thousand words. Here are the essentials:
- Hand work: Absolutely no technology, programs or dies are used to create my art. It is hand-painted, hand-cut, hand-applied, hand-embellished, and hand-finished. Tens of thousands of decisions are made.

- Unique: developed over a number of years; combining my love for color, portraiture, contemporary art and mosaic.
- Green: I create without waste. I upcycle junk mail, calendars, post cards, photos, old greeting cards, tags, etc... it's all paper waste I collect. I use only water-based, acid-free, non-toxic materials to create my work. It is completely eco-friendly. I reuse and repurpose canvas, frames, etc. whenever possible.
Inspiration:
- In Venice, I saw a portrait made of tiny fragments of colorful glass. It was too heavy to carry by train, so I decided to make one "just like it" when I got home. After trial & error, I decided to use ephemera instead of glass or tile.
- It would be too simple to say I am inspired by Byzantine mosaics, Louis Comfort Tiffany or Antonio Gaudi... it's both the assemblage and the color in the materials that moves me. I am process driven as well as image-centric....Figurative work has always inspired me – I tend to focus on the female. My vision is to create beautiful yet thought-provoking images of beauty; in vibrant color.
- Deeper Meanings: Where can beauty be found in a culture of conspicuous consumption? I believe we are an aggregate of tiny bits: who we are and where we've been - or who we want or pretend to be. Each piece expresses a mood – a calculated effect - high drama, serenity, sexuality or humor.

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